Geoff Winningham’s documentary photography project, “Friday Night in the Coliseum,” gets a digital revival to honor Rice Media Center’s 50th anniversary.
A pathbreaking genomic project supports worldwide research and conservation efforts.
A Changed World
Two ACL tears couldn’t keep Kendall Brice from moving forward — on the track or in the classroom.
During a Fulbright year, Mahdi Fariss ’19 turns teaching into learning.
The School of Social Sciences celebrated its 40th anniversary and threw a housewarming for its new 78,000-square-foot building.
Classnotes: Excerpts from Owlmanac
This new course shows how scientists, philosophers and medical practitioners developed theories of touching, tasting, smelling, hearing and seeing.
Julia Casbarian ’20 photographed Rice campus landmarks and layered them with historical images of the same locations. The resulting images show “how Rice has both changed and remained the same since its founding.”
Alumni Books and Music - Spring 2020
Fifty years ago, an idea from a couple of Rice students sparked an enduring tradition.
Christian Carr turns utilitarian tape into bold works of art.
Marine biologists adapt lessons from "Anna Karenina."
Hand-holding is the last thing anyone should do during the COVID-19 pandemic, but a Shepherd School violin student won’t let social distancing stop her from doing what she does best.
Despair, depression and guilt aren’t helping us — or the planet. But one Rice professor might know what will.
Graduate student Asa Stahl brings astrophysics down to earth.
A 1907 guide for Jewish immigrants illuminates a fascinating chapter in Texas history.
Biochemist Angel Martí studies the mysteries of Alzheimer’s disease.
Rosey Edeh has been clearing hurdles on and off the field since coming to Rice.
Stewart & Stevenson partners with Rice to make lifesaving device.
Rice’s one and only improv group works hard to be spontaneous.
Faculty share anecdotes and advice about online teaching.
Architect Giorgio Angelini is building a successful career in documentary cinema.
Anthony Pinn in his own words