Traditions: Martel College

Tuned In

Photo by Tommy LaVergne
Photo by Tommy LaVergne

Spring 2017

WHEN MARTEL COLLEGE opened in 2002, it was the first new college at Rice in more than 30 years. Because its benefactor, Speros P. Martel, was a Greek immigrant, it made perfect sense to honor him with a Greek-themed party.

Erin Sozanski ’07 recalled the first “Greek week” tradition in 2005. “We had light pink and blue T-shirts, a toga party and a Mr. Martel pageant.” Her favorite event was the Mr. Martel competition, where contestants showed off such unconventional talents as dancing, falconry and poetry recitation.

All colleges celebrate Beer Bike in their own unique ways, but beginning in 2012, Martel sought to outdo rival colleges with the construction of massive sets known as “builds.” The first build was a 35-foot-high temple called “Alepocalypse: The End is Beer.” “It was a riff on the popular mythology that the Mayans believed 2012 would mark the end of the earth,” said Helene Dick ’14, who served as a Beer Bike coordinator. In 2013, the build was a two-story pineapple house inspired by the cartoon “SpongeBob SquarePants.”

The following year, Martel builders constructed an elaborate life-size replica of the board game Candy Land (dubbed, naturally, “Brandyland: Case Race to Rumdrop Mountain”). The final product, according to Justin Montes ’14, featured “a realistic peanut brittle cottage, a four-story facade of King Candy’s Castle, a small Gumdrop Mountain, a pleasant Plum Tree, a two-story, freestanding Licorice Castle and a set of colored tiles with 30 spaces from the beginning to Rumdrop Mountain.

There’s a highbrow element to the college’s traditions as well. In fall 2005, Ralph S. O’Connor, Karen Mathews and Karen Ostrum George ’77 — Martel associates and longtime Rice benefactors — donated a piano to the college. Zach Averyt ’08 recalled that he and other Martelians wanted to express their thanks to the donors, “and we decided that the best way to do that would be to showcase the instrument in performance.” Averyt and Karen Jeng ’08, both music students, put together a program that ran from Chopin to Prokofiev. The recital has become an annual event, usually held in February, said Maria Byrne, Martel College coordinator. From piano concertos to big builds, Martel is tuned in to college traditions.

— Franz Brotzen

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